- PII
- S241377150000616-0-1
- DOI
- 10.7868/S0000616-0-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume 71 / Issue 5
- Pages
- 57-65
- Abstract
The article deals with the paradoxes of the reception and interpretation of the Brecht drama on the Soviet stage in the 1930–1960’s. The co-existence of various theatrical traditions (Vakhtangov, Stanislavsky, Brecht) in the performance of “The Good Person of Szechwan” by Y. Lyubimov is looked into. There are analyzed both the original methods and techniques of Brecht’s epic theatre, woven into the texture of the play, and changes and innovations brought into the text of Brecht’s drama by Lyubimov.
- Keywords
- reception, interpretation, epic theatre, songs
- Date of publication
- 03.09.2012
- Year of publication
- 2012
- Number of purchasers
- 1
- Views
- 1179
RAS History & PhilologyИзвестия Российской Академии наук. Серия литературы и языка Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
- ISSN (Print) 1605-7880
- ISSN (Online) 2413-7715
ТЕАТРАЛЬНЫЙ ДИАЛОГ БЕРТОЛЬТА БРЕХТА И ЮРИЯ ЛЮБИМОВА
Indexing
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library