- PII
- S241377150000616-0-1
- DOI
- 10.7868/S0000616-0-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume 73 / Issue 6
- Pages
- 23-37
- Abstract
- One of the main sources of our knowledge of Dostoyevsky's creative habits in years 1860 s-1870 s are his 'working notebooks' (zapisnye tetradi). Existing editions of these notebooks seem to reproduce the text on the principle that only one important level of manuscript is worthy of being presented; namely, the verbal level itself. However, the fact is that Dostoyevsky's manuscripts (to take Crime and Punishment, for instance) are texts of many coexisting languages: verbal, graphical, verbal/graphical (special picture-writing, calligraphy, and other verbal/graphical means), which, taken together, create a complicated semantic structure. Here we speak for publication of a diplomatic transcript edition of Dostoyevsky's works, which would retain different levels of meaning - to a fuller extent, than it is possible in other types of scholarly editions.
- Keywords
- Dostoyevsky’s creative process, ‛diary / working notebooks’, verbal and ideographic languages in the manuscripts, diplomatic transcription method
- Date of publication
- 01.11.2014
- Year of publication
- 2014
- Number of purchasers
- 1
- Views
- 1263
RAS History & PhilologyИзвестия Российской Академии наук. Серия литературы и языка Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
- ISSN (Print) 1605-7880
- ISSN (Online) 2413-7715
A DIPLOMATIC TRANSCRIPT EDITION AS AN OBJECTIVE OF TEXTUAL SCHOLARSHIP: THREE PAGES FROM F.M. DOSTOYEVSKY'S "WORKING NOTEBOOKS"
Indexing
Scopus
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Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library