- PII
- S241377150000484-5-1
- DOI
- 10.7868/S0000484-5-1
- Publication type
- Article
- Status
- Published
- Authors
- Volume/ Edition
- Volume 76 / Issue 2
- Pages
- 28-40
- Abstract
- The problem of the relationship between a cycle and a fragment is considered by the example of S. S. Blicher's poetic cycle “Birds of passage. The Concert Of Nature”. The cycle in question exists as a single whole, and as divided into separate poems, or fragments. The compilers of the anthologies published excerpts from the original cycle. The depth and diversity of the poems led to the appearance of new, shorter cycles, based on the cycle, written by the author. Music has played a major role in shaping of Blicher's works in the form of a cycle and its fragments.
- Keywords
- cycle, fragment, Romanticism, Steen Steensen Blicher, a cycle structure, the cycle bounds, the fragment bounds, plot
- Date of publication
- 01.03.2017
- Year of publication
- 2017
- Number of purchasers
- 4
- Views
- 1322
RAS History & PhilologyИзвестия Российской Академии наук. Серия литературы и языка Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka
- ISSN (Print) 1605-7880
- ISSN (Online) 2413-7715
"BIRDS OF PASSAGE. THE NATURE'S CONCERT" BY STEEN STEENSEN BLICHER. THE LIFE AND ADVENTURES OF A POETIC CYCLE
Индексирование
Scopus
Crossref
Higher Attestation Commission
At the Ministry of Education and Science of the Russian Federation
Scientific Electronic Library